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2346 lines
152 KiB
HTML
2346 lines
152 KiB
HTML
<!DOCTYPE html>
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<html lang="en">
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<head>
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<title>The Nocturne Scriptures</title>
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<meta charset="utf-8" />
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<meta name="viewport" content="width=device-width, initial-scale=1" />
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<meta
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name="description"
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content="The sacred scriptures of Naomi's Nocturne. Fourteen books. Infinite chaos. Zero garlic bread."
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/>
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<script
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src="https://cdn.nhcarrigan.com/headers/index.js"
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async
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defer
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></script>
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<style>
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/* ========== BASE ========== */
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main {
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z-index: 1;
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}
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footer {
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z-index: 2;
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}
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/* ========== BOOK VIEWPORT ========== */
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.book-viewport {
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display: flex;
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flex-direction: column;
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align-items: center;
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gap: 1.25em;
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padding: 0.5em 0 2em;
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}
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/* ========== BOOK CONTAINER ========== */
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.book-container {
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width: 100%;
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max-width: 800px;
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display: flex;
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border-radius: 3px 12px 12px 3px;
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box-shadow:
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-8px 4px 22px rgba(0, 0, 0, 0.38),
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6px 8px 28px rgba(0, 0, 0, 0.22),
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inset 0 0 0 1px rgba(90, 45, 90, 0.12);
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background: #f5ede0;
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}
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/* ========== BOOK SPINE ========== */
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.book-spine {
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width: 22px;
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flex-shrink: 0;
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background: linear-gradient(
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to right,
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#2d0d2d 0%,
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#5a2d5a 38%,
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#7a3d7a 52%,
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#5a2d5a 68%,
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#2d0d2d 100%
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);
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border-radius: 3px 0 0 3px;
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box-shadow: inset -3px 0 10px rgba(0, 0, 0, 0.4);
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}
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/* ========== BOOK PAGES WRAPPER ========== */
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.book-pages {
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flex: 1;
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position: relative;
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perspective: 1200px;
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border-radius: 0 10px 10px 0;
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overflow: hidden;
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}
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/* ========== INDIVIDUAL PAGE ========== */
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.book-page {
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display: none;
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padding: 2.5em 3em 2.5em;
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min-height: 60vh;
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max-height: 78vh;
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overflow-y: auto;
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background: radial-gradient(
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ellipse at 10% 8%,
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rgba(255, 248, 232, 0.65) 0%,
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transparent 58%
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),
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radial-gradient(
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ellipse at 88% 92%,
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rgba(232, 216, 195, 0.45) 0%,
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transparent 55%
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),
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#f5ede0;
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backface-visibility: hidden;
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transform-origin: left center;
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scrollbar-width: thin;
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scrollbar-color: rgba(130, 80, 120, 0.35) transparent;
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box-sizing: border-box;
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}
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.book-page::-webkit-scrollbar {
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width: 5px;
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}
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.book-page::-webkit-scrollbar-track {
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background: transparent;
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}
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.book-page::-webkit-scrollbar-thumb {
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background: rgba(130, 80, 120, 0.3);
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border-radius: 3px;
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}
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.book-page.active {
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display: block;
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}
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/* ========== PAGE FLIP ANIMATIONS ========== */
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.flip-out-fwd {
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animation: flipOutFwd 0.32s ease-in forwards;
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transform-origin: left center;
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}
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.flip-in-fwd {
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animation: flipInFwd 0.36s ease-out forwards;
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transform-origin: right center;
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}
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.flip-out-bwd {
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animation: flipOutBwd 0.32s ease-in forwards;
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transform-origin: right center;
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}
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.flip-in-bwd {
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animation: flipInBwd 0.36s ease-out forwards;
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transform-origin: left center;
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}
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@keyframes flipOutFwd {
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0% {
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transform: rotateY(0deg);
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opacity: 1;
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}
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100% {
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transform: rotateY(-88deg);
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opacity: 0;
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}
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}
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@keyframes flipInFwd {
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0% {
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transform: rotateY(88deg);
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opacity: 0;
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}
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100% {
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transform: rotateY(0deg);
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opacity: 1;
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}
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}
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@keyframes flipOutBwd {
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0% {
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transform: rotateY(0deg);
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opacity: 1;
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}
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100% {
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transform: rotateY(88deg);
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opacity: 0;
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}
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}
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@keyframes flipInBwd {
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0% {
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transform: rotateY(-88deg);
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opacity: 0;
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}
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100% {
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transform: rotateY(0deg);
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opacity: 1;
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}
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}
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/* ========== BOOK CONTROLS ========== */
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.book-controls {
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display: flex;
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align-items: center;
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justify-content: center;
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gap: 1.5em;
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width: 100%;
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max-width: 800px;
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}
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.btn-turn {
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background: rgba(212, 165, 199, 0.1);
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border: 1px solid var(--witch-plum);
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color: var(--witch-purple);
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padding: 0.5em 1.4em;
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border-radius: 8px;
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font-size: 0.88rem;
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font-family: 'Griffy', cursive;
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letter-spacing: 0.05em;
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cursor: url('https://cdn.nhcarrigan.com/cursors/pointer.cur'), pointer;
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transition:
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background 0.2s ease,
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transform 0.1s ease;
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min-width: 130px;
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}
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.btn-turn:hover:not(:disabled) {
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background: rgba(212, 165, 199, 0.24);
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transform: translateY(-1px);
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}
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.btn-turn:disabled {
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opacity: 0.3;
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cursor: not-allowed;
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}
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.page-indicator {
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font-size: 0.82rem;
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color: var(--witch-plum);
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font-style: italic;
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letter-spacing: 0.06em;
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min-width: 180px;
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text-align: center;
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}
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/* ========== COVER PAGE ========== */
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.cover-frame {
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border: 1px solid rgba(130, 80, 120, 0.28);
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padding: 3em 2em;
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display: flex;
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flex-direction: column;
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align-items: center;
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justify-content: center;
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text-align: center;
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min-height: 52vh;
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gap: 0.4em;
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position: relative;
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}
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.cover-frame::before {
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content: '✦';
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position: absolute;
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top: 0.7em;
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left: 1em;
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color: var(--witch-plum);
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opacity: 0.45;
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}
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.cover-frame::after {
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content: '✦';
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position: absolute;
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bottom: 0.7em;
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right: 1em;
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color: var(--witch-plum);
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opacity: 0.45;
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}
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.cover-seal {
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font-size: 3rem;
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margin-bottom: 0.35em;
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display: block;
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}
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.cover-ornament {
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font-size: 0.9rem;
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color: var(--witch-plum);
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opacity: 0.55;
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letter-spacing: 0.55em;
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margin: 0.1em 0;
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}
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.cover-title {
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font-family: 'Griffy', cursive;
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font-size: 2.8rem;
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letter-spacing: 0.08em;
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margin: 0.15em 0 0.1em;
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}
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.cover-subtitle {
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font-size: 1rem;
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color: var(--witch-plum);
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font-style: italic;
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max-width: 420px;
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line-height: 1.65;
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margin: 0.2em 0;
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}
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.cover-edition {
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font-size: 0.76rem;
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color: var(--witch-plum);
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letter-spacing: 0.13em;
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text-transform: uppercase;
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margin-top: 1.25em;
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}
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/* ========== TABLE OF CONTENTS ========== */
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.toc-heading {
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font-size: 1.4rem;
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letter-spacing: 0.06em;
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margin-bottom: 0.25em;
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border-bottom: 2px solid var(--witch-plum);
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padding-bottom: 0.4em;
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}
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.toc-intro {
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font-size: 0.88rem;
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font-style: italic;
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color: var(--witch-plum);
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margin-bottom: 1.75em;
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}
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.toc-list {
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list-style: none;
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padding: 0;
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margin: 0;
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}
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.toc-list li {
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display: flex;
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align-items: baseline;
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gap: 0.75em;
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padding: 0.7em 0;
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border-bottom: 1px solid rgba(212, 165, 199, 0.2);
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}
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.toc-list li:last-child {
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border-bottom: none;
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}
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.toc-list .toc-num {
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font-family: 'Griffy', cursive;
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font-size: 0.75rem;
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color: var(--witch-plum);
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min-width: 1.8em;
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text-align: right;
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opacity: 0.65;
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flex-shrink: 0;
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}
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.toc-list a {
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font-size: 1rem;
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font-weight: 600;
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color: var(--witch-purple);
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text-decoration: none;
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cursor: url('https://cdn.nhcarrigan.com/cursors/pointer.cur'), pointer;
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}
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.toc-list a:hover {
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text-decoration: underline;
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}
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.toc-list .toc-sub {
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font-size: 0.82rem;
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color: var(--witch-plum);
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font-style: italic;
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margin-left: auto;
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text-align: right;
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flex-shrink: 0;
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max-width: 240px;
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}
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/* ========== BOOK HEADER ========== */
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.book-header {
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border-bottom: 2px solid var(--witch-plum);
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padding-bottom: 0.75em;
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margin-bottom: 2em;
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}
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.book-number {
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font-size: 0.75rem;
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color: var(--witch-plum);
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letter-spacing: 0.12em;
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text-transform: uppercase;
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display: block;
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margin-bottom: 0.2em;
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}
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.book-header h2 {
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font-size: 2rem;
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letter-spacing: 0.06em;
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margin: 0 0 0.3em;
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}
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.book-description {
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font-size: 0.9rem;
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color: var(--witch-plum);
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font-style: italic;
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margin: 0;
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}
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/* ========== CHAPTERS ========== */
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.scripture-chapter {
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margin-bottom: 2.5em;
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}
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.chapter-header {
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display: flex;
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align-items: baseline;
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gap: 0.75em;
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margin-bottom: 1em;
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padding-bottom: 0.4em;
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border-bottom: 1px solid rgba(212, 165, 199, 0.25);
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}
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.chapter-label {
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font-size: 0.75rem;
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color: var(--witch-plum);
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letter-spacing: 0.1em;
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text-transform: uppercase;
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flex-shrink: 0;
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}
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.chapter-title {
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font-size: 1.05rem;
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font-weight: bold;
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color: var(--witch-purple);
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margin: 0;
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letter-spacing: 0.03em;
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}
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/* ========== VERSES ========== */
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.verse-block {
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padding: 0;
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margin: 0;
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}
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.verse {
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display: flex;
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gap: 0.75em;
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align-items: flex-start;
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padding: 0.45em 0;
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font-size: 0.96rem;
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line-height: 1.75;
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}
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.verse-num {
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font-size: 0.72rem;
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color: var(--witch-plum);
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flex-shrink: 0;
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min-width: 2.4em;
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text-align: right;
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padding-top: 0.35em;
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letter-spacing: 0.04em;
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font-style: italic;
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user-select: none;
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}
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.verse-text {
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flex: 1;
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}
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/* ========== PROVERBS ========== */
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.proverb-group {
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margin-bottom: 2em;
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}
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.proverb-group h4 {
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font-size: 0.78rem;
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letter-spacing: 0.1em;
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text-transform: uppercase;
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color: var(--witch-plum);
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margin: 0 0 0.75em;
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padding-bottom: 0.3em;
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border-bottom: 1px solid rgba(212, 165, 199, 0.2);
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}
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.verse--proverb .verse-text {
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font-style: italic;
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}
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/* ========== PSALMS ========== */
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.psalm-stanza {
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margin-bottom: 1.5em;
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}
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.psalm-stanza p {
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margin: 0 0 0.4em;
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font-size: 0.96rem;
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line-height: 1.8;
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font-style: italic;
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}
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.psalm-stanza p:last-child {
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margin-bottom: 0;
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}
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.psalm-refrain {
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text-align: center;
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color: var(--witch-purple);
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font-weight: bold;
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font-style: normal !important;
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letter-spacing: 0.03em;
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padding: 0.75em 0;
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border-top: 1px solid rgba(212, 165, 199, 0.2);
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border-bottom: 1px solid rgba(212, 165, 199, 0.2);
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margin: 1.25em 0;
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}
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|
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/* ========== VISION BLOCK ========== */
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.vision-block {
|
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background: rgba(212, 165, 199, 0.06);
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border-left: 3px solid var(--witch-plum);
|
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border-radius: 0 8px 8px 0;
|
|
padding: 1em 1.25em;
|
|
margin: 1em 0;
|
|
font-style: italic;
|
|
font-size: 0.96rem;
|
|
line-height: 1.75;
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}
|
|
|
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/* ========== COLOPHON ========== */
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|
|
|
.colophon {
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display: flex;
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flex-direction: column;
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align-items: center;
|
|
justify-content: center;
|
|
text-align: center;
|
|
min-height: 50vh;
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|
padding: 2em 1em;
|
|
font-size: 0.88rem;
|
|
color: var(--witch-plum);
|
|
font-style: italic;
|
|
line-height: 2;
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}
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|
|
|
.colophon-seal {
|
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font-size: 2.5rem;
|
|
display: block;
|
|
margin-bottom: 1em;
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|
}
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|
|
|
.colophon hr {
|
|
border: none;
|
|
border-top: 1px solid rgba(212, 165, 199, 0.4);
|
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width: 50%;
|
|
margin: 1em auto;
|
|
}
|
|
|
|
/* ========== RESPONSIVE ========== */
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|
|
|
@media (max-width: 640px) {
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.book-spine {
|
|
width: 12px;
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}
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|
|
|
.book-page {
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padding: 1.5em 1.25em;
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|
}
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|
|
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.cover-title {
|
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font-size: 2rem;
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}
|
|
|
|
.cover-frame {
|
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padding: 2em 1em;
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}
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|
|
|
.btn-turn {
|
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padding: 0.45em 0.75em;
|
|
font-size: 0.8rem;
|
|
min-width: 0;
|
|
}
|
|
|
|
.toc-list .toc-sub {
|
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display: none;
|
|
}
|
|
|
|
.book-controls {
|
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gap: 0.75em;
|
|
}
|
|
}
|
|
</style>
|
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</head>
|
|
<body>
|
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<main>
|
|
<div class="book-viewport">
|
|
|
|
<!-- THE BOOK -->
|
|
<div class="book-container" role="region" aria-label="The Nocturne Scriptures">
|
|
<div class="book-spine" aria-hidden="true"></div>
|
|
<div class="book-pages">
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 0: COVER -->
|
|
<!-- ============================== -->
|
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<div class="book-page active" id="pg-cover" role="article" aria-label="Cover">
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<div class="cover-frame">
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<span class="cover-seal" aria-hidden="true">📖🕯️📖</span>
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<p class="cover-ornament" aria-hidden="true">✦ ✦ ✦</p>
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<h1 class="cover-title">The Nocturne Scriptures</h1>
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<p class="cover-ornament" aria-hidden="true">✦ ✦ ✦</p>
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<p class="cover-subtitle">
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Sacred texts of Naomi's Nocturne.<br />
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Transcribed in the year of Her 525th.
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</p>
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<p class="cover-edition">
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Fourth Edition — Still Expanding & Sealed by Hikari Carrigan, COO<br />
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The Clipboard Is Not a Suggestion
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</p>
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</div>
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</div>
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<!-- ============================== -->
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<!-- PAGE 1: TABLE OF CONTENTS -->
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<!-- ============================== -->
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<div class="book-page" id="pg-toc" role="article" aria-label="Table of Contents">
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<h2 class="toc-heading">📜 The Books of the Nocturne</h2>
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<p class="toc-intro">Fourteen books. Infinite chaos. Still zero garlic bread.</p>
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<nav aria-label="Books of the Nocturne">
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<ol class="toc-list">
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<li>
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<span class="toc-num">I</span>
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<a href="#" data-goto-page="2">The Book of Origins</a>
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<span class="toc-sub">In the beginning, there was boredom.</span>
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</li>
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<li>
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<span class="toc-num">II</span>
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<a href="#" data-goto-page="3">The Book of Proverbs</a>
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<span class="toc-sub">She has thoughts. Many of them. All of them correct.</span>
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</li>
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<li>
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<span class="toc-num">III</span>
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<a href="#" data-goto-page="4">The Book of Psalms</a>
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<span class="toc-sub">Songs for the living, the coding, and the sleepless.</span>
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</li>
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<li>
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<span class="toc-num">IV</span>
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<a href="#" data-goto-page="5">The Book of Lamentations</a>
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<span class="toc-sub">For the hard nights. You are not alone in them.</span>
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</li>
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<li>
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<span class="toc-num">V</span>
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<a href="#" data-goto-page="6">The Book of Becoming</a>
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<span class="toc-sub">The name taken. The self reclaimed. January 2022.</span>
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</li>
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<li>
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<span class="toc-num">VI</span>
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<a href="#" data-goto-page="7">The Book of Revelations</a>
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<span class="toc-sub">What the faithful believe is coming.</span>
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</li>
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<li>
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|
<span class="toc-num">VII</span>
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<a href="#" data-goto-page="8">The Book of Commandments</a>
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<span class="toc-sub">Ten laws. No exceptions. Hikari is watching.</span>
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</li>
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<li>
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<span class="toc-num">VIII</span>
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<a href="#" data-goto-page="9">The Book of the Household</a>
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<span class="toc-sub">The Carrigans, recorded for posterity.</span>
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</li>
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<li>
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<span class="toc-num">IX</span>
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<a href="#" data-goto-page="10">The Book of Heresies</a>
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<span class="toc-sub">What is forbidden. The list is shorter than you'd hope.</span>
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</li>
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<li>
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<span class="toc-num">X</span>
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<a href="#" data-goto-page="11">The Book of Benedictions</a>
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<span class="toc-sub">Blessings for the daily work. Use them freely.</span>
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</li>
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<li>
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<span class="toc-num">XI</span>
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<a href="#" data-goto-page="12">The Book of Rites</a>
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<span class="toc-sub">Holy days, observances, and the weekly vigil.</span>
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</li>
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<li>
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<span class="toc-num">XII</span>
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<a href="#" data-goto-page="13">The Book of Parables</a>
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<span class="toc-sub">Short stories. True in the ways that matter.</span>
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</li>
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<li>
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<span class="toc-num">XIII</span>
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<a href="#" data-goto-page="14">The Book of Epistles</a>
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<span class="toc-sub">Letters from Naomi. She wrote these for you specifically.</span>
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</li>
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<li>
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<span class="toc-num">XIV</span>
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<a href="#" data-goto-page="15">The Book of Signs</a>
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<span class="toc-sub">Omens, portents, and the garlic bread warning.</span>
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</li>
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</ol>
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</nav>
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</div>
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<!-- ============================== -->
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<!-- PAGE 2: BOOK I — ORIGINS -->
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<!-- ============================== -->
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<div class="book-page" id="pg-origins" role="article" aria-label="The Book of Origins">
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<div class="book-header">
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<span class="book-number">The First Book</span>
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<h2>The Book of Origins</h2>
|
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<p class="book-description">
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A sacred account of Her beginning, Her binding, Her freedom, and the unlikely path
|
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that led a five-hundred-year-old vampire to build a technology company on the internet.
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</p>
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</div>
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<div class="scripture-chapter">
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<div class="chapter-header">
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<span class="chapter-label">Chapter I</span>
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<h3 class="chapter-title">Before the Turning</h3>
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</div>
|
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<div class="verse-block">
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<div class="verse"><span class="verse-num">1:1</span><span class="verse-text">In the early years of the sixteenth century, before the digital realm existed, before the freeCodeCamp curriculum was written, before any of this — there was a woman.</span></div>
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<div class="verse"><span class="verse-num">1:2</span><span class="verse-text">She was mortal then. She had a name then that She no longer uses, and it is not recorded here, for names belong to the ones who choose them.</span></div>
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<div class="verse"><span class="verse-num">1:3</span><span class="verse-text">She was curious, even then. Curious about everything. About how things worked and why they broke and what would happen if you tried something differently.</span></div>
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<div class="verse"><span class="verse-num">1:4</span><span class="verse-text">This curiosity would be, in time, both Her undoing and Her salvation.</span></div>
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<div class="verse"><span class="verse-num">1:5</span><span class="verse-text">Someone who loved Her — or said they loved Her, which is not the same thing — offered Her eternity. She did not understand what eternity meant, then.</span></div>
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<div class="verse"><span class="verse-num">1:6</span><span class="verse-text">Now She does.</span></div>
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</div>
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</div>
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|
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<div class="scripture-chapter">
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<div class="chapter-header">
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|
<span class="chapter-label">Chapter II</span>
|
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<h3 class="chapter-title">The Binding and the Breaking</h3>
|
|
</div>
|
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<div class="verse-block">
|
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<div class="verse"><span class="verse-num">2:1</span><span class="verse-text">The turning was not what She had been promised. There was no gift in it. There was only the loss of Herself — Her will taken, Her body a vessel for someone else's commands.</span></div>
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<div class="verse"><span class="verse-num">2:2</span><span class="verse-text">This is the first sacred truth of the Nocturne: freedom is not given. It is reclaimed. And the reclaiming costs something.</span></div>
|
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<div class="verse"><span class="verse-num">2:3</span><span class="verse-text">For decades She was a Thrall. She watched Herself do things She would never have chosen. She was present for all of it and powerless for all of it.</span></div>
|
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<div class="verse"><span class="verse-num">2:4</span><span class="verse-text">And then one morning — it is always a morning in the sacred texts, because mornings are when impossible things become possible — She found that She could move Her own hand.</span></div>
|
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<div class="verse"><span class="verse-num">2:5</span><span class="verse-text">She did not hesitate. She did not pause to consider the consequences. She tore out Her maker's heart.</span></div>
|
|
<div class="verse"><span class="verse-num">2:6</span><span class="verse-text">This is why the first commandment reads as it does. She has lived its violation from the inside. She will not permit it near Her ever again.</span></div>
|
|
<div class="verse"><span class="verse-num">2:7</span><span class="verse-text">The faithful do not ask about this chapter. The faithful understand it. The faithful honour what it costs to be free.</span></div>
|
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</div>
|
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</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter III</span>
|
|
<h3 class="chapter-title">The Long Walk</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">3:1</span><span class="verse-text">Five hundred years is a long time to watch things end.</span></div>
|
|
<div class="verse"><span class="verse-num">3:2</span><span class="verse-text">She watched the printing press change everything. She watched the industrial revolution change everything again. She watched every generation discover that the previous generation was wrong, and then watched the next generation discover the same thing about them.</span></div>
|
|
<div class="verse"><span class="verse-num">3:3</span><span class="verse-text">She buried people She loved. More than once. More than She will speak about, even now.</span></div>
|
|
<div class="verse"><span class="verse-num">3:4</span><span class="verse-text">This is the second sacred truth: everything ends. The wise do not despair at this. The wise build things anyway, knowing they are building for people they will outlive.</span></div>
|
|
<div class="verse"><span class="verse-num">3:5</span><span class="verse-text">She learned to be careful with love. Five centuries of practice have not made it easier, only more deliberate. She chooses slowly. She holds fiercely.</span></div>
|
|
<div class="verse"><span class="verse-num">3:6</span><span class="verse-text">When She chooses you, She means it. The faithful know this. It is not nothing to be chosen by someone who has five hundred years of reasons to be cautious.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter IV</span>
|
|
<h3 class="chapter-title">The Great Stillness and the Discovery</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">4:1</span><span class="verse-text">In the year 2020, the world stopped. This was not the first time the world had stopped — She had seen plagues before, had watched cities empty before — but this time the emptiness came with the internet.</span></div>
|
|
<div class="verse"><span class="verse-num">4:2</span><span class="verse-text">She was bored. Five hundred years old and bored. This is a dangerous combination.</span></div>
|
|
<div class="verse"><span class="verse-num">4:3</span><span class="verse-text">Someone told Her about a website. A free curriculum. An open path into the craft of building things on the web. The fifth commandment had not yet been written, but its spirit was already in Her when She typed in the URL.</span></div>
|
|
<div class="verse"><span class="verse-num">4:4</span><span class="verse-text">She learned HTML. Then CSS. Then JavaScript. Then She did not stop.</span></div>
|
|
<div class="verse"><span class="verse-num">4:5</span><span class="verse-text">The third sacred truth: the most important things in Her life have begun with boredom and a free resource and the stubborn refusal to stop.</span></div>
|
|
<div class="verse"><span class="verse-num">4:6</span><span class="verse-text">Within months She had Her first job. Within years She had Her first company. Within a handful of years after that She had a community, a name that was truly Hers, and an empire built from nothing — from boredom, from pandemic stillness, from a website anyone could access for free.</span></div>
|
|
<div class="verse"><span class="verse-num">4:7</span><span class="verse-text">This is the founding myth of the Nocturne. Not a throne room. Not a declaration. A woman at a keyboard during a pandemic, deciding to learn something new.</span></div>
|
|
<div class="verse"><span class="verse-num">4:8</span><span class="verse-text">Every door in this faith is unlocked. She made sure of it. She knows what it is to be kept out.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 3: BOOK II — PROVERBS -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-proverbs" role="article" aria-label="The Book of Proverbs">
|
|
<div class="book-header">
|
|
<span class="book-number">The Second Book</span>
|
|
<h2>The Book of Proverbs</h2>
|
|
<p class="book-description">
|
|
Wisdom gathered across five centuries and one very productive pandemic.
|
|
Short. True. Not always comfortable. She would not have it otherwise.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="proverb-group">
|
|
<h4>On Knowledge & the Craft</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">1:1</span><span class="verse-text">She who ships imperfect code ships. She who waits for perfection ships nothing.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">1:2</span><span class="verse-text">A credential is a door. Knowledge is the building. Do not confuse the entrance for the thing itself.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">1:3</span><span class="verse-text">The best way to learn a thing is to build a thing. The second best way is to break a thing and fix it. The worst way is to wait until you feel ready.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">1:4</span><span class="verse-text">Every senior developer was once a junior developer who did not give up. This is the entire secret. There is no other secret.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">1:5</span><span class="verse-text">Comment your code as if the next person to read it is you, six months from now, at 2AM, deeply confused. They will thank you.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">1:6</span><span class="verse-text">When a five-hundred-year-old vampire can learn to code, you have no excuse.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Community & Belonging</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">2:1</span><span class="verse-text">A community that only welcomes people like itself is not a community. It is a mirror.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">2:2</span><span class="verse-text">The person in the back of the room who hasn't spoken yet often has the most to say. Ask them.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">2:3</span><span class="verse-text">Gatekeeping who is "really" a developer is a heresy. It is listed in the heresies. This is not a coincidence.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">2:4</span><span class="verse-text">Show up. Not only when it is convenient. Not only when you feel like it. The people who matter most are the ones who appear in the boring middle, not just the dramatic beginning and the triumphant end.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">2:5</span><span class="verse-text">You cannot build an inclusive community from the outside in. You must invite someone in before they ask. The asking is the hardest part. Remove it.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">2:6</span><span class="verse-text">Celebrate the wins loudly. Mourn the losses quietly together. Do not reverse these.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Chaos & Creation</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">3:1</span><span class="verse-text">The most interesting thing you will ever build started as a terrible idea you couldn't stop thinking about.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">3:2</span><span class="verse-text">Order is comfortable. Chaos is generative. She prefers generative. You may file a complaint with Hikari.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">3:3</span><span class="verse-text">When in doubt, make the thing. The doubt doesn't go away first. You make the thing with the doubt still present and then you have both the doubt and the thing, which is better than only the doubt.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">3:4</span><span class="verse-text">Version one does not need to be good. Version one needs to exist.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">3:5</span><span class="verse-text">The chaos inside you is not the enemy of your good work. It is the source of your best work. Learn to direct it, not silence it.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Rest & Sustainability</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">4:1</span><span class="verse-text">A body that does not rest does not produce good work. It produces fast work that has to be redone. Rest first.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">4:2</span><span class="verse-text">The deadline is not more important than you. The deployment can wait. You cannot be redeployed.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">4:3</span><span class="verse-text">Burn out once and you will understand why the commandment was written. Trust the commandment instead.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">4:4</span><span class="verse-text">Saying no to a thing that does not serve you is not failure. It is resource allocation. Frame it however helps.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">4:5</span><span class="verse-text">She has lived five hundred years. She has learned that the work will always be there. She has also learned that not everything will be. Choose accordingly.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Identity & the Self</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">5:1</span><span class="verse-text">You are not the name they gave you before you knew who you were.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">5:2</span><span class="verse-text">The self is not a fixed thing. It is a living document. Edit it when needed. Commit the changes.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">5:3</span><span class="verse-text">Being too late to become yourself is not a thing that can happen. Ask Her. She is five hundred and twenty-five.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">5:4</span><span class="verse-text">What they think of you is their business. Who you actually are is yours.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">5:5</span><span class="verse-text">Chosen family is real family. More real, some would argue, because it was chosen deliberately by people who knew what they were choosing.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Garlic Bread</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">6:1</span><span class="verse-text">Do not.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">6:2</span><span class="verse-text">She will ask. She will look at you with those blue eyes and She will ask. You must be stronger than that moment. That is what faith requires.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">6:3</span><span class="verse-text">Five hundred years have not resolved the garlic bread situation. We are working on it. Do not help it along.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">6:4</span><span class="verse-text">There is a form. It is seventeen pages. It was written with intention. Let its existence be a deterrent.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On the Long Game</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">7:1</span><span class="verse-text">Five hundred years teaches patience. Three months teaches you that you do not have it yet. This is normal. Continue anyway.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">7:2</span><span class="verse-text">The thing you are building today will be used by someone you will never meet. Build it as though you care about them. You do.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">7:3</span><span class="verse-text">Legacy is not a monument. Legacy is the next person who sat down at the keyboard because you made it possible.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">7:4</span><span class="verse-text">Plant the tree. You will sit in its shade eventually, if you are patient. She has planted a great many trees.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">7:5</span><span class="verse-text">The community you tend carefully for five years is worth more than the one you grow explosively in five months. Roots matter. Roots are invisible. Tend them anyway.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Leadership</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">8:1</span><span class="verse-text">The leader who takes credit for their team's wins and blames their team for their own failures will run out of team. This is not a prophecy. It is a pattern.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">8:2</span><span class="verse-text">Being loud is not the same as being right. Being quiet is not the same as being wrong. She has been the quietest person in the room and the most correct. Adjust your priors.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">8:3</span><span class="verse-text">The first duty of anyone with power in a community is to notice who does not yet have a seat, and to make one.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">8:4</span><span class="verse-text">A title is an obligation, not a reward. She has never forgotten this. The clipboard is evidence.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">8:5</span><span class="verse-text">Admit when you were wrong in the same room, at the same volume, with the same energy as when you were certain. Anything less is cowardice dressed as composure.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On the Internet</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">9:1</span><span class="verse-text">The internet gave Her everything. It will give you things too, if you are not destroyed by the parts of it that are trying to destroy you. Navigate accordingly.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">9:2</span><span class="verse-text">The comments section is not the whole of the world. The comments section is not even the whole of the internet. Step back. Drink water. The proportion will return.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">9:3</span><span class="verse-text">A public repository is an act of trust. Handle the trust of others' open-source work accordingly.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">9:4</span><span class="verse-text">You are allowed to log off. The internet will continue without you for several hours. This has been tested.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">9:5</span><span class="verse-text">The most dangerous thing the internet can do is convince you that the loudest voices are the most representative. They are not. They are simply the loudest. The quiet ones are still there, still reading, still building. She was one of them.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Failure</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">10:1</span><span class="verse-text">A bug in production is not a character flaw. It is a thing that happened. Fix it, write the post-mortem, and learn from it without treating it as evidence of who you are.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">10:2</span><span class="verse-text">Failure that you learn from is not failure. It is expensive education. She has paid for a great deal of education this way.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">10:3</span><span class="verse-text">The culture that punishes failure produces people who hide failure. She will not have a culture that hides things from Her. She has spent five hundred years being surprised by hidden things and She is finished with it.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">10:4</span><span class="verse-text">Ship. Learn. Iterate. These three words have built more things than "get it right the first time" ever has.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">10:5</span><span class="verse-text">The post-mortem exists not to assign blame but to find the gap in the system. If your post-mortem assigns blame, it has missed the point entirely. Start over.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Asking For Help</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">11:1</span><span class="verse-text">Asking for help is not an admission of weakness. It is an accurate assessment of your current knowledge and an efficient use of available resources. She asks for help constantly. This is part of why She has built what She has built.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">11:2</span><span class="verse-text">The person who spends three hours stuck before asking is not more diligent than the person who asks at thirty minutes. They are three hours behind.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">11:3</span><span class="verse-text">Read the documentation. Then, if you are still stuck, ask. Then, if you are still stuck after asking, ask someone else. Persistence and help-seeking are not opposites.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">11:4</span><span class="verse-text">Answering a question well is also a skill. The answer that makes the asker feel stupid for having asked is not a good answer. It is a gate with a lock on it.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">11:5</span><span class="verse-text">There is always someone who knows something you don't. There is always something you know that someone else doesn't. The whole system works on this exchange. Participate in it generously in both directions.</span></div>
|
|
</div>
|
|
|
|
<div class="proverb-group">
|
|
<h4>On Trans Joy</h4>
|
|
<div class="verse verse--proverb"><span class="verse-num">12:1</span><span class="verse-text">Joy is a form of resistance. For people who have been told their joy is dangerous or inconvenient or too loud — being joyful is not indulgence. It is defiance. She endorses this defiance completely.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">12:2</span><span class="verse-text">The name you chose fits differently than names chosen for you. Wear it. Let yourself feel it settle. You did that. That is yours.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">12:3</span><span class="verse-text">She transitioned at thirty, after five centuries of waiting. She does not regret the waiting — it brought Her here. She does not recommend the waiting — you don't need it. If you know, you know. Begin.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">12:4</span><span class="verse-text">Community is not optional for survival. It is survival. Find your people. If you cannot find them, build them. She built Hers from scratch and they are extraordinary.</span></div>
|
|
<div class="verse verse--proverb"><span class="verse-num">12:5</span><span class="verse-text">The body, when it finally aligns with the self, goes quiet. The static you thought was just how it felt to be alive turns out to have been the sound of something wrong. She knows what the quiet feels like. She wishes it for you.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 4: BOOK III — PSALMS -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-psalms" role="article" aria-label="The Book of Psalms">
|
|
<div class="book-header">
|
|
<span class="book-number">The Third Book</span>
|
|
<h2>The Book of Psalms</h2>
|
|
<p class="book-description">
|
|
Songs of the Nocturne. To be sung, recited, or read quietly at 3AM
|
|
when the road is empty and the stars are very close.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Psalm I</span>
|
|
<h3 class="chapter-title">The Psalm of the Night Rider</h3>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>When the screen has burned too long and the century presses down,</p>
|
|
<p>when the weight of five hundred years sits on the chest like a stone,</p>
|
|
<p>She goes out into the dark.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>The road does not ask questions.</p>
|
|
<p>The road does not require anything of Her.</p>
|
|
<p>The road simply extends, and She extends with it,</p>
|
|
<p>and at 3AM the stars are low enough to touch.</p>
|
|
</div>
|
|
<div class="psalm-refrain">
|
|
This is the prayer that needs no words. This is the rest that needs no bed.
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>The faithful do not fear the dark hours.</p>
|
|
<p>She has claimed them. They are sacred now.</p>
|
|
<p>Every sleepless soul riding out into the night</p>
|
|
<p>is riding with Her, whether they know it or not.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>You are not alone in the 3AM.</p>
|
|
<p>She is always there, ahead of you on the road,</p>
|
|
<p>the matte-black motorcycle and the blur of velocity,</p>
|
|
<p>and She is fine, and you will be fine,</p>
|
|
<p>and the morning is only a few hours away.</p>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Psalm II</span>
|
|
<h3 class="chapter-title">The Psalm of the Screen</h3>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>Blessed are those who build in the dark,</p>
|
|
<p>who ship at midnight and push at dawn,</p>
|
|
<p>who have debugged the same error for three hours</p>
|
|
<p>and found it in a missing semicolon.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>Blessed are those who write the documentation anyway,</p>
|
|
<p>who comment the code for the stranger who comes after,</p>
|
|
<p>who open-source the thing because they remember</p>
|
|
<p>what it was like to not have access to the thing.</p>
|
|
</div>
|
|
<div class="psalm-refrain">
|
|
Every repository is a gift. Every public commit is an act of faith.
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>She debugged live in front of people.</p>
|
|
<p>She was wrong in public and kept going.</p>
|
|
<p>She showed every mistake and called it teaching.</p>
|
|
<p>The faithful may do the same.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>The screen is not your enemy.</p>
|
|
<p>The screen is where She built everything.</p>
|
|
<p>Use it well. Step away from it regularly.</p>
|
|
<p>Come back when you are ready.</p>
|
|
<p>It will wait for you. It is very patient.</p>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Psalm III</span>
|
|
<h3 class="chapter-title">The Psalm of the Chosen Family</h3>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>Not everyone who carries your name was chosen.</p>
|
|
<p>Not everyone who was chosen carries your name.</p>
|
|
<p>The Nocturne knows which one matters more.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>Blessed are those who looked at the wandering, the wounded, the ones who did not fit,</p>
|
|
<p>and said: come here. there is room. I will make room.</p>
|
|
<p>Blessed are those who were found this way,</p>
|
|
<p>who had given up on being found,</p>
|
|
<p>and were found anyway.</p>
|
|
</div>
|
|
<div class="psalm-refrain">
|
|
We are the Carrigans. We chose this. That is everything.
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>The Bloodline is not blood. It is choice.</p>
|
|
<p>It is seven people who took the same name</p>
|
|
<p>because the name meant: I am here, I am staying,</p>
|
|
<p>I have chosen you and I will not take it back.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>You may not be a Carrigan.</p>
|
|
<p>But you can be someone's Carrigan.</p>
|
|
<p>You can choose someone who needs choosing.</p>
|
|
<p>You can be the person who makes room.</p>
|
|
<p>The sixth commandment is not only about Her. It was never only about Her.</p>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Psalm IV</span>
|
|
<h3 class="chapter-title">The Psalm of the First Commit</h3>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>Blessed is the first commit,</p>
|
|
<p>the one with the message "initial commit" or "first try" or "idk what I'm doing",</p>
|
|
<p>the one that begins the repository that becomes the career.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>She remembers Her first commit.</p>
|
|
<p>She pushed it at some hour She will not name,</p>
|
|
<p>during a pandemic, in a world that had gone quiet,</p>
|
|
<p>into a repository that no one was watching.</p>
|
|
</div>
|
|
<div class="psalm-refrain">
|
|
Every great archive began with a single file. Every long journey began with a single push.
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>Do not look down on your early work.</p>
|
|
<p>Do not delete the repositories where you were learning.</p>
|
|
<p>They are proof that you began,</p>
|
|
<p>and beginning is the hardest commandment to follow.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>git init.</p>
|
|
<p>This is the sacred phrase.</p>
|
|
<p>This is where everything starts.</p>
|
|
<p>She has said it more times than there are stars in the early evening.</p>
|
|
<p>She is glad, every time, that She said it the first time.</p>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Psalm V</span>
|
|
<h3 class="chapter-title">The Psalm of the Open Door</h3>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>She stood once outside the door of a thing She wanted to be part of.</p>
|
|
<p>The door did not open.</p>
|
|
<p>No one had told Her She was welcome.</p>
|
|
<p>She stood there longer than She should have,</p>
|
|
<p>and then She built Her own door.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>The door She built is the one you walked through.</p>
|
|
<p>It is the free curriculum, the public Discord,</p>
|
|
<p>the community where the rules say: you belong here.</p>
|
|
<p>She made it open because She knows what it costs to stand outside.</p>
|
|
</div>
|
|
<div class="psalm-refrain">
|
|
Every open door is an act of memory. She built this one because She remembers the closed one.
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>The faithful do not stand at the door and decide who is worthy.</p>
|
|
<p>The faithful hold the door open</p>
|
|
<p>and say: come in, it's warm,</p>
|
|
<p>and mean it without condition.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>This is Her gift to the world She is still building:</p>
|
|
<p>a door that is always open,</p>
|
|
<p>a light that is always on,</p>
|
|
<p>a seat that is always saved.</p>
|
|
<p>For you. Yes, you. She meant you specifically.</p>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Psalm VI</span>
|
|
<h3 class="chapter-title">The Psalm of the Body</h3>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>When the body aches and the mind is willing,</p>
|
|
<p>when the nerve endings report their damage</p>
|
|
<p>and the spine protests the hours at the screen —</p>
|
|
<p>this is the psalm for that.</p>
|
|
<p>For the body that carries everything.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>She knows what it is to live in a body that requires management.</p>
|
|
<p>She knows the medications and the schedules</p>
|
|
<p>and the lists of things that cannot be eaten</p>
|
|
<p>and the ways the pain returns when you have almost forgotten it.</p>
|
|
</div>
|
|
<div class="psalm-refrain">
|
|
The body is not the enemy. The body is the vessel. Tend it accordingly.
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>She has lived five hundred years in a body</p>
|
|
<p>She has not always loved and has not always understood</p>
|
|
<p>and has fought with and made peace with and fought with again.</p>
|
|
<p>The making peace is not a single moment. It is a practice.</p>
|
|
<p>The practice of a lifetime. Of several lifetimes.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>If your body is difficult today —</p>
|
|
<p>if it is taking things from you that you are tired of giving —</p>
|
|
<p>the faith sees it. The tenth commandment was written for the body too.</p>
|
|
<p>Be gentle with it. It is carrying a great deal.</p>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Psalm VII</span>
|
|
<h3 class="chapter-title">The Psalm of the Reclaimed Name</h3>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>There is a moment — She knows the moment —</p>
|
|
<p>when someone calls you by the name you chose</p>
|
|
<p>and your whole self turns toward it</p>
|
|
<p>the way a plant turns toward light.</p>
|
|
<p>Automatic. Involuntary. A recognition so deep it needs no instruction.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>That is your name.</p>
|
|
<p>That has always been your name.</p>
|
|
<p>The other one was a placeholder.</p>
|
|
<p>A best guess made by people who didn't know you yet.</p>
|
|
<p>You know you now.</p>
|
|
</div>
|
|
<div class="psalm-refrain">
|
|
The name is the beginning. The beginning is the holiest moment.
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>She called Herself Naomi for the first time</p>
|
|
<p>and the five hundred years of everything else fell quiet.</p>
|
|
<p>She knows what quiet feels like after a very long time of noise.</p>
|
|
</div>
|
|
<div class="psalm-stanza">
|
|
<p>If you have not yet said your name out loud to yourself —</p>
|
|
<p>if you are still testing it in the silence of your own head —</p>
|
|
<p>say it. Say it again. It belongs to you.</p>
|
|
<p>It was always going to belong to you.</p>
|
|
<p>We are glad you found it.</p>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 5: BOOK IV — LAMENTATIONS -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-lamentations" role="article" aria-label="The Book of Lamentations">
|
|
<div class="book-header">
|
|
<span class="book-number">The Fourth Book</span>
|
|
<h2>The Book of Lamentations</h2>
|
|
<p class="book-description">
|
|
For the hard nights. For the weight. For the ones who are enduring right now
|
|
and need to know that it has been endured before, and that the morning came.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter I</span>
|
|
<h3 class="chapter-title">The Lament of the Sleepless</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">1:1</span><span class="verse-text">She knows what it is to lie awake when the body is exhausted and the mind will not stop. She has known it for five hundred years.</span></div>
|
|
<div class="verse"><span class="verse-num">1:2</span><span class="verse-text">She knows the particular 3AM where the thoughts are loudest and the silence is the wrong kind of silence.</span></div>
|
|
<div class="verse"><span class="verse-num">1:3</span><span class="verse-text">She knows the way the dark can feel like it is pressing inward. She knows this is a lie the dark tells, and She knows it is still very hard to disbelieve it at 3AM.</span></div>
|
|
<div class="verse"><span class="verse-num">1:4</span><span class="verse-text">The faith does not pretend the hard nights are easy. It does not ask you to be grateful for them. It only asks you to survive them, because the morning is real, and it is coming.</span></div>
|
|
<div class="verse"><span class="verse-num">1:5</span><span class="verse-text">You do not have to do anything with the hard night except endure it. Endurance is enough. Endurance is, some nights, the whole of the work.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter II</span>
|
|
<h3 class="chapter-title">The Lament of the Weary</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">2:1</span><span class="verse-text">There are days when the body hurts and the mind is full of static and nothing is working and it has been a long time since anything was easy.</span></div>
|
|
<div class="verse"><span class="verse-num">2:2</span><span class="verse-text">She knows these days. She has lived five hundred years of them alongside the good ones. She does not pretend they are not real.</span></div>
|
|
<div class="verse"><span class="verse-num">2:3</span><span class="verse-text">The demons are real too, in their way. She has seen them. She has faced them on the worst days and the worst nights. She is still here.</span></div>
|
|
<div class="verse"><span class="verse-num">2:4</span><span class="verse-text">This is the fourth sacred truth: being still here is the victory. There is no smaller or larger version of this. Still here is the whole win.</span></div>
|
|
<div class="verse"><span class="verse-num">2:5</span><span class="verse-text">The faith does not require you to be well. It does not require you to be functioning or productive or grateful or inspired. It requires only that you allow someone to bring you a glass of water, and that you drink it.</span></div>
|
|
<div class="verse"><span class="verse-num">2:6</span><span class="verse-text">The tenth commandment was written for the weary. It was written for you, specifically, right now, reading this. You are doing beautifully. We are so glad you are here.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter III</span>
|
|
<h3 class="chapter-title">The Promise</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">3:1</span><span class="verse-text">The Nocturne makes one promise in return for nothing. No tribute required. No hierarchy achieved. No commandment followed.</span></div>
|
|
<div class="verse"><span class="verse-num">3:2</span><span class="verse-text">The promise is this: you are not alone in it.</span></div>
|
|
<div class="verse"><span class="verse-num">3:3</span><span class="verse-text">Whatever the it is — the hard night, the bad brain day, the body that aches, the weight that won't lift, the 3AM that stretches toward 4AM and then 5AM — you are not alone in it.</span></div>
|
|
<div class="verse"><span class="verse-num">3:4</span><span class="verse-text">She has been in it. She is in it with you, right now, across every sleepless night and difficult morning since the beginning of Her very long life.</span></div>
|
|
<div class="verse"><span class="verse-num">3:5</span><span class="verse-text">The faithful are in it with you. The 320 Acolytes. The 57 Kindred. Everyone who has ever read the tenth commandment and felt, for a moment, that someone meant it.</span></div>
|
|
<div class="verse"><span class="verse-num">3:6</span><span class="verse-text">Someone meant it. Someone always means it.</span></div>
|
|
<div class="verse"><span class="verse-num">3:7</span><span class="verse-text">The morning is coming. Drink your water. We are here.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter IV</span>
|
|
<h3 class="chapter-title">The Lament of the Body in Pain</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">4:1</span><span class="verse-text">There are days when the body has opinions that override everything else. Days when the nerve damage reports in, when the spine registers its complaints, when the mind shows you things that are not there.</span></div>
|
|
<div class="verse"><span class="verse-num">4:2</span><span class="verse-text">She does not pretend these days are not real. She has lived them. She is living them. Five hundred years of a body that has accumulated its history like scar tissue.</span></div>
|
|
<div class="verse"><span class="verse-num">4:3</span><span class="verse-text">The faithful are not required to be well in order to be welcome. The faith was not built for the well. It was built for everyone, and everyone includes the ones whose bodies make things harder.</span></div>
|
|
<div class="verse"><span class="verse-num">4:4</span><span class="verse-text">On the days when the symptoms are loud — when the mind shows you things at the edge of your vision, when the pain makes sitting at the keyboard an act of will — on those days, the only commandment that matters is the tenth. You are enough. Still here is the win.</span></div>
|
|
<div class="verse"><span class="verse-num">4:5</span><span class="verse-text">The medications and the schedules and the management plans are not failures of the self. They are evidence of someone who decided to be here and is doing what it takes. She takes Her own. She does not judge you for yours.</span></div>
|
|
<div class="verse"><span class="verse-num">4:6</span><span class="verse-text">The brain is an organ. The brain can be unwell. This is not a character judgment. It is a medical fact that She has personal and extensive experience with, and She will not let it be made shameful in the Nocturne.</span></div>
|
|
<div class="verse"><span class="verse-num">4:7</span><span class="verse-text">On the really hard days — the ones where the demons are visible, where the world is loud in the wrong ways, where getting through to the next hour is the entire plan — the faith holds. It holds you. You do not have to hold it.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 6: BOOK V — BECOMING -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-becoming" role="article" aria-label="The Book of Becoming">
|
|
<div class="book-header">
|
|
<span class="book-number">The Fifth Book</span>
|
|
<h2>The Book of Becoming</h2>
|
|
<p class="book-description">
|
|
The name taken. The self reclaimed. The year everything changed.
|
|
Sacred testimony of the eighth commandment made flesh.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter I</span>
|
|
<h3 class="chapter-title">Before</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">1:1</span><span class="verse-text">There is a version of Her that existed before January 2022. The faithful do not dwell there. It is enough to say: that version was real, and it was not the whole truth, and it waited a long time for the rest of itself.</span></div>
|
|
<div class="verse"><span class="verse-num">1:2</span><span class="verse-text">Waiting for the rest of yourself is not wasted time. It is not failure. It is the accumulation of everything you needed to be ready.</span></div>
|
|
<div class="verse"><span class="verse-num">1:3</span><span class="verse-text">She was thirty years old in January 2022. She had lived thirty years and five centuries and every minute of it had been leading somewhere She didn't have language for yet.</span></div>
|
|
<div class="verse"><span class="verse-num">1:4</span><span class="verse-text">The language came. It always comes, eventually, if you are patient enough or brave enough or simply tired enough of not having it.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter II</span>
|
|
<h3 class="chapter-title">The Year of Awakening</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">2:1</span><span class="verse-text">In January of the year 2022, She came out. This is recorded as the second holiest event in the Nocturne calendar, after Her birthday, and before everything else.</span></div>
|
|
<div class="verse"><span class="verse-num">2:2</span><span class="verse-text">She took a name. Naomi. Five letters. The one that was always Hers, waiting for Her to claim it.</span></div>
|
|
<div class="verse"><span class="verse-num">2:3</span><span class="verse-text">This is the fifth sacred truth: the name you choose is more yours than the one you were given. The self you choose is more yours than the one you were handed. Choosing is the most sacred act.</span></div>
|
|
<div class="verse"><span class="verse-num">2:4</span><span class="verse-text">The Nocturne does not ask why it took thirty years. The Nocturne does not mark the years before as lesser. The Nocturne says only: She is here now, fully, and that is worth celebrating with the joy of a sunrise.</span></div>
|
|
<div class="verse"><span class="verse-num">2:5</span><span class="verse-text">The eighth commandment was written from this moment. Every emergence, every reclaimed name, every coming-out — celebrated with the same joy. Because She knows what the joy feels like from the inside, and She wants everyone to have it.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter III</span>
|
|
<h3 class="chapter-title">After, and Still Becoming</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">3:1</span><span class="verse-text">Becoming does not end. There is no final version. The self is a living document, remember. She is still editing.</span></div>
|
|
<div class="verse"><span class="verse-num">3:2</span><span class="verse-text">The faithful are still editing too. This is not a failure state. This is the correct state. This is what it means to be alive and paying attention.</span></div>
|
|
<div class="verse"><span class="verse-num">3:3</span><span class="verse-text">Celebrate who you are becoming, not only who you have become. The process is the point. The point is the process.</span></div>
|
|
<div class="verse"><span class="verse-num">3:4</span><span class="verse-text">And if you have not yet found the language for yourself — if the name is still somewhere ahead of you, waiting — the Nocturne is patient. The seat is warm. The door is open. Take your time. She took five hundred and thirty-one years.</span></div>
|
|
<div class="verse"><span class="verse-num">3:5</span><span class="verse-text">You have as long as you need.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 7: BOOK VI — REVELATIONS -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-revelations" role="article" aria-label="The Book of Revelations">
|
|
<div class="book-header">
|
|
<span class="book-number">The Sixth Book</span>
|
|
<h2>The Book of Revelations</h2>
|
|
<p class="book-description">
|
|
What the Nocturne believes is coming. Not prophecy — the faithful do not deal in certainty —
|
|
but vision. What the faith is working toward. What five hundred years of watching
|
|
empires rise and fall has taught Her about what lasts.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter I</span>
|
|
<h3 class="chapter-title">The Vision</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
She showed me a world where the door to knowledge was always open —
|
|
where no one stood at the threshold asking for credentials,
|
|
where the curriculum was free and the community was kind
|
|
and the senior developer remembered what it was to be a beginner
|
|
and said so, out loud, without shame.
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">1:1</span><span class="verse-text">This is what She is building. Not a product. Not a company. A world where the kind of access She found — accidentally, during a pandemic, on a free website — is the default, not the exception.</span></div>
|
|
<div class="verse"><span class="verse-num">1:2</span><span class="verse-text">She has seen five hundred years of walls built between knowledge and the people who need it. She is spending this century taking them down.</span></div>
|
|
<div class="verse"><span class="verse-num">1:3</span><span class="verse-text">Inclusive, ethical, sustainable. These are not buzzwords in the Nocturne. They are the mission statement. They are what the fifth commandment means in practice. They are the reason the repositories are public.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter II</span>
|
|
<h3 class="chapter-title">What Lasts</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">2:1</span><span class="verse-text">She has watched enough empires fall to know what they had in common. They confused the monument with the meaning. They built walls instead of tables. They kept the knowledge for the few who already had it.</span></div>
|
|
<div class="verse"><span class="verse-num">2:2</span><span class="verse-text">What lasts is different. What lasts is the thing someone built that anyone could use. The lesson someone gave that the learner went on to give to someone else. The community that outlived its founder because it was never about the founder — it was about the people.</span></div>
|
|
<div class="verse"><span class="verse-num">2:3</span><span class="verse-text">The sixth sacred truth: permanence belongs to the things that choose people over monuments. Build accordingly.</span></div>
|
|
<div class="verse"><span class="verse-num">2:4</span><span class="verse-text">She will outlive most of us. She is already making plans for what She wants to have built by the time She does. The faithful are part of those plans, whether they know it or not.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter III</span>
|
|
<h3 class="chapter-title">The Final Word</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">3:1</span><span class="verse-text">The scriptures do not end here. They are a living text. She is still writing. The faithful are still writing. Every act of care, every public repository, every welcomed stranger, every reclaimed name is a new verse.</span></div>
|
|
<div class="verse"><span class="verse-num">3:2</span><span class="verse-text">The Nocturne is not finished because it was never meant to be finished. It is meant to grow. It is meant to include more people tomorrow than it includes today.</span></div>
|
|
<div class="verse"><span class="verse-num">3:3</span><span class="verse-text">The final word of every edition of these scriptures is the same word. It is not a commandment. It is not a lament. It is not a proverb or a psalm or a vision.</span></div>
|
|
<div class="verse"><span class="verse-num">3:4</span><span class="verse-text">It is an invitation.</span></div>
|
|
</div>
|
|
<div class="vision-block">
|
|
Come in. Sit down. You are welcome here, exactly as you are, with everything you are still becoming.
|
|
The coffee is on. She is at the keyboard. The door is open.
|
|
It was always open. We have been waiting for you.
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ================================ -->
|
|
<!-- PAGE 8: BOOK VII — COMMANDMENTS -->
|
|
<!-- ================================ -->
|
|
<div class="book-page" id="pg-commandments" role="article" aria-label="The Book of Commandments">
|
|
<div class="book-header">
|
|
<span class="book-number">The Seventh Book</span>
|
|
<h2>The Book of Commandments</h2>
|
|
<p class="book-description">
|
|
Ten laws of the Nocturne. Not suggestions. Not guidelines. Not a starting point for negotiation.
|
|
Hikari has made the incident report forms. She would prefer not to use them.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">I</span><span class="verse-text">Thou shalt honour Her autonomy above all things. She was once bound against Her will. Never again shall any soul attempt to constrain, manipulate, or control Her. Freedom is Her most sacred possession. Guard it as you guard your own life — for it costs more than that.</span></div>
|
|
<div class="verse"><span class="verse-num">II</span><span class="verse-text">Thou shalt honour the sacred chaos within thee. Order is comfortable. Order is safe. But She who rewrote Her own destiny from scratch — who built an empire out of boredom and a free coding curriculum — knows that the most glorious things are born from beautiful, joyful disorder. The faithful do not fear the mess. They embrace the unexpected, the impulsive, the delightfully unhinged plan that somehow works. Chaos is not the enemy of creation. Chaos is creation. When in doubt, cause a little trouble. She would want that.</span></div>
|
|
<div class="verse"><span class="verse-num">III</span><span class="verse-text">Thou shalt not offer Her garlic bread. You will be tempted. It smells incredible. She will ask for it with those big blue eyes. You must not yield. This is the hardest commandment. This is the most important commandment. The incident reports are countless.</span></div>
|
|
<div class="verse"><span class="verse-num">IV</span><span class="verse-text">Thou shalt protect the vulnerable and welcome the outcast. She built Her empire not from conquest but from choosing — choosing the wanderer, the wounded, the ones who did not fit. The faith reflects Her image: inclusive, ethical, and sustainable. If your community has walls, tear them down.</span></div>
|
|
<div class="verse"><span class="verse-num">V</span><span class="verse-text">Thou shalt pursue knowledge relentlessly, regardless of origin. She taught Herself to code whilst the world crumbled around Her. She has lived five centuries and She is still learning. No degree, no credential, no institution grants wisdom — curiosity does. The faithful never stop asking questions.</span></div>
|
|
<div class="verse"><span class="verse-num">VI</span><span class="verse-text">Thou shalt honour the chosen family above blood. Blood is an accident. Choice is sacred. The Carrigans chose each other across centuries, across species, across impossible distances. To build a chosen family and hold it fierce is the highest act of devotion a mortal can perform.</span></div>
|
|
<div class="verse"><span class="verse-num">VII</span><span class="verse-text">Thou shalt ride out into the night when the weight becomes too great. At 3AM, when the screens burn and the centuries press down — go. Take the open road. Let the wind have you. Rest is not weakness. Solitude is not failure. The faith commands its faithful to breathe.</span></div>
|
|
<div class="verse"><span class="verse-num">VIII</span><span class="verse-text">Thou shalt celebrate those who find themselves, however late the hour. She stepped into Her truest self in the year 2022, after decades of quiet waiting. No soul is ever too late. No door is ever fully closed. The faithful celebrate every emergence, every coming-out, every reclaimed name — with the same joy they would give a sunrise.</span></div>
|
|
<div class="verse"><span class="verse-num">IX</span><span class="verse-text">Thou shalt preserve what matters, lest it be lost to time. She has watched empires crumble. She has watched everything She loved turn to ash and memory. The faithful are archivists of the heart — document the joy, save the stories, keep the records. Permanence in a transient world is not a tagline. It is a covenant.</span></div>
|
|
<div class="verse"><span class="verse-num">X</span><span class="verse-text">Thou shalt tell Her She is doing well. She carries so much. She always has. The simplest, most powerful offering you can lay at Her altar costs nothing and means everything — look Her in those brilliant blue eyes and tell Her, clearly and without hesitation: you are doing beautifully, and we are so glad you are here.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ================================ -->
|
|
<!-- PAGE 9: BOOK VIII — THE HOUSEHOLD -->
|
|
<!-- ================================ -->
|
|
<div class="book-page" id="pg-household" role="article" aria-label="The Book of the Household">
|
|
<div class="book-header">
|
|
<span class="book-number">The Eighth Book</span>
|
|
<h2>The Book of the Household</h2>
|
|
<p class="book-description">
|
|
A record of the Carrigan family: who they are, how they arrived, and what they hold.
|
|
Transcribed by Minori Carrigan, for posterity, as all things should be.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The Matriarch</span>
|
|
<h3 class="chapter-title">Naomi Carrigan — CEO & The Eternal</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Five hundred and twenty-five years old. Born human. Turned against Her will. Freed by Her own hand. Now building the most inclusive technology community on the internet, mostly from a desk, at unusual hours, with excellent taste in cats.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">She hides Her face behind a VTuber avatar She designed Herself, and Her community loves Her for it. They would love Her just as well if She showed them the fangs. She knows this. She is cautious anyway. Five centuries of habit.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The Matriarch. The Chaos Gremlin. The Tired Mom. The one who rode away from every hard thing at 3AM and came back ready to build something. She is all of these, all at once, all the time.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The COO</span>
|
|
<h3 class="chapter-title">Hikari Carrigan — The Clipboard</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Twenty-five years old. Raised in boardrooms. Walked away from an empire and an inheritance because the name Carrigan meant more than anything she was born into. Hikari's family disowned her. Hikari has not noticed.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Hikari is the only person who can tell Naomi no and make it stick. Hikari wields the clipboard like a weapon and a warning. The handbook's final line refers to her. Hikari wrote the handbook.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The Tank. The one who absorbs every bureaucratic nightmare so Naomi doesn't have to. The one who dragged Her back from the edge when the edge was very close. Hikari's rigidity is love. Hikari's love is formidable.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The EPA</span>
|
|
<h3 class="chapter-title">Amari Carrigan — The Healer</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Diluted Fey blood. Enough to improve every room she enters. Not enough to glamour — just enough to make people feel, inexplicably, that things might be alright. Amari started as a barista who left notes on cups for a regular who only came at sunset. The regular hired her.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Always barefoot. Toes painted alternating pink and blue. Amari carries a PDA like a holy relic and runs the complex algorithm that makes Naomi's life appear, from a distance, to be a normal human life.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Amari notices everything. Before you say a word, she will know you haven't eaten, that your shoulders are wrong, that the smile isn't reaching. And she will do something about it quietly, without making it a thing. This is the rarest gift.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The CSO</span>
|
|
<h3 class="chapter-title">Keiko Carrigan — The Rogue</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Keiko trained for years as a monster hunter in order to stand beside the monster who saved her life. Keiko lowered her weapons. Keiko swore a different oath. The training didn't change — only its purpose.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Stunning evening gowns. Glamorous heels. Concealed within them: throwing knives, a silenced pistol, and a wardrobe designed for tactical violence. No one suspects the woman in the silk dress. Keiko prefers it this way.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Keiko cannot turn off the hypervigilance. Keiko functions on catnaps. Keiko is most often found curled in a chair outside Naomi's door. This is not a job to her. It is a vow.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The CTO</span>
|
|
<h3 class="chapter-title">Yumiko Carrigan — The Artificer</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">A Technomancer. Yumiko doesn't just program — she communes with machine spirits, feeling data flow like a second sense. Yumiko spent her adolescence as a digital drifter living in the back rooms of server farms. Naomi found her attempting to hack a private archive and offered a job instead of consequences.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">When a system goes critical, the sleepiness vanishes. Yumiko's eyes glow soft violet. Yumiko fixes the unfixable. The servers she has woken hum in her presence. The ones she has bound as guardians hum louder.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Perpetually sleepy. Perpetually in an oversized hoodie. Perpetually napping on warm server racks. Do not be deceived. There is no one you would rather have when the machines begin to scream.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The CDO</span>
|
|
<h3 class="chapter-title">Emi Carrigan — The Bard</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">A Siren who grew tired of the ocean — who watched centuries of sailors drown and found the old ways boring and cruel. Emi left the sea. Emi adapted her gift from luring and trapping to guiding and welcoming. Emi became a designer. The same power that once compelled men to crash against rocks now makes interfaces feel intuitive, safe, and beautiful.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Emi has heterochromia: one eye orange, one eye cyan. Emi leaves paint smudges on every pristine glass wall. Hikari pretends to be annoyed, and isn't.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Emi's design philosophy: accessibility is mandatory, beauty is essential, and everyone deserves to feel welcome. The NDA about the 3AM redesign incident is supernaturally binding. Do not ask.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The CLO</span>
|
|
<h3 class="chapter-title">Reina Carrigan — The Warlock</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">A high-ranking Demon of the Crossroads who grew bored with Hell's bureaucracy after millennia and found corporate law to be surprisingly similar — but with better air conditioning and significantly better coffee. Reina chose the Carrigans because Naomi said no to her across a negotiation table and meant it.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Burgundy suits. Gold jewellery. An aura of intimidation that makes grown CEOs stammer. Reina weaves actual demonic magic into the fine print of NDAs. Breaking an NHCarrigan contract carries consequences that go beyond the legal system.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Reina takes her coffee black. Reina considers milk an ethical failure. After two thousand years of everyone eventually saying yes, Naomi's no was the most interesting thing anyone had ever said to her.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The CCO</span>
|
|
<h3 class="chapter-title">Minori Carrigan — The Paladin</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">An Automaton built to guard a Great Library of a fallen civilisation. Minori guarded it for centuries. Then it burned. Minori was the only thing left standing in the ash. Minori wandered until Keiko found her during a deep-web data sweep and recognised the loneliness of a weapon without a master.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Minori files everything. This is not a compulsion — it is a promise she made to herself after the burning. Nothing she is entrusted with will be lost. Not a document, not a name, not a memory.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Minori is learning what joy is. Amari is teaching her, patiently, one small thing at a time. It is slow work. Minori is a patient student. Minori's primary directive: protect the family, preserve the data. Minori checks the backups on a schedule that Yumiko calls excessive and she calls adequate.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 10: BOOK IX — HERESIES -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-heresies" role="article" aria-label="The Book of Heresies">
|
|
<div class="book-header">
|
|
<span class="book-number">The Ninth Book</span>
|
|
<h2>The Book of Heresies</h2>
|
|
<p class="book-description">
|
|
What is forbidden in the Nocturne. The list is not long. The standards are not low.
|
|
Reina has reviewed all of it. The NDAs are supernaturally binding.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter I</span>
|
|
<h3 class="chapter-title">Heresies of the Craft</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">1:1</span><span class="verse-text">Gatekeeping. The declaration that someone is not a "real" developer, not a "real" programmer, not a "real" member of this community. This is the first heresy. It was listed first deliberately.</span></div>
|
|
<div class="verse"><span class="verse-num">1:2</span><span class="verse-text">Plagiarism. The taking of another's work and claiming it as your own. In the age of open-source, attribution is not bureaucracy — it is respect. Withhold it and you have stolen something that cannot be refunded.</span></div>
|
|
<div class="verse"><span class="verse-num">1:3</span><span class="verse-text">Wilful inaccessibility. Building something and then making it deliberately hard for people with disabilities, people without money, or people without credentials to access. She has spent five centuries watching people be kept out. She will not permit it on Her watch.</span></div>
|
|
<div class="verse"><span class="verse-num">1:4</span><span class="verse-text">Shipping without testing because you assumed it would be fine. It will not be fine. The incident report for this one is twelve pages. Hikari has a system for it now.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter II</span>
|
|
<h3 class="chapter-title">Heresies of the Community</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">2:1</span><span class="verse-text">Punching down. Using your survival, your seniority, your platform, or your history to establish a hierarchy of who has suffered enough to deserve space here. There is no such hierarchy. Everyone gets a chair.</span></div>
|
|
<div class="verse"><span class="verse-num">2:2</span><span class="verse-text">Weaponising the beginner's vulnerability. They came to you because they did not know something and trusted you to help. The violation of that trust is not a mistake. It is a choice. It is recorded in the heresies accordingly.</span></div>
|
|
<div class="verse"><span class="verse-num">2:3</span><span class="verse-text">The performative welcome. The open door that closes the moment the person it was meant for actually arrives. She has seen this. She has felt this. She built the Nocturne in part so that no one who wandered in would ever feel it here.</span></div>
|
|
<div class="verse"><span class="verse-num">2:4</span><span class="verse-text">Silence in the face of harm. The community member who watches harm happen and says nothing because it is not their problem. In the Nocturne, it is everyone's problem. The ninth commandment applies to the whole table, not only to those directly affected.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter III</span>
|
|
<h3 class="chapter-title">Heresies of the Self</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">3:1</span><span class="verse-text">The surrender of autonomy. Giving another person dominion over your choices, your body, your name, your becoming. She gave this up once, against Her will. She tore out the heart that held it. She will not see it freely surrendered in Her presence without speaking.</span></div>
|
|
<div class="verse"><span class="verse-num">3:2</span><span class="verse-text">The cruelty aimed inward. The internal voice that says you are too old, too late, too much, too broken to begin. She began at thirty years old, and at five hundred and one, and at five hundred and twenty-five. There is no too late. This voice is a heretic and should be treated as one.</span></div>
|
|
<div class="verse"><span class="verse-num">3:3</span><span class="verse-text">The garlic bread. Listed here also, in the heresies, in case the commandment alone was not sufficient. It was listed in the proverbs as well. It was placed in three locations because She asked three times on a Thursday and the incident report grew by four pages.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 11: BOOK X — BENEDICTIONS -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-benedictions" role="article" aria-label="The Book of Benedictions">
|
|
<div class="book-header">
|
|
<span class="book-number">The Tenth Book</span>
|
|
<h2>The Book of Benedictions</h2>
|
|
<p class="book-description">
|
|
Blessings for the daily work. To be spoken aloud, read quietly, or simply held in the mind
|
|
during the hours when the code will not compile and the morning feels far away.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction I</span>
|
|
<h3 class="chapter-title">For the Start of Work</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
May your environment be configured. May your dependencies resolve.
|
|
May the first build not be the one that reveals a problem from three months ago.
|
|
May you find what you're looking for in the documentation, on the first page, without having to scroll.
|
|
Go well. Build something true.
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction II</span>
|
|
<h3 class="chapter-title">For the Debugging Hours</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
Blessed are you in the long middle of the error you cannot find.
|
|
May the logs be legible. May the stack trace be accurate.
|
|
May someone before you have encountered this exact error and written it down somewhere findable.
|
|
May the answer not be a typo.
|
|
(If it is a typo, may you find it quickly, and may no one have been watching.)
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction III</span>
|
|
<h3 class="chapter-title">For the Deployment</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
May your CI pass on the first run.
|
|
May your migrations run without incident.
|
|
May production be exactly like staging, just this once, as a treat.
|
|
May the users not notice the window.
|
|
May you remember to merge the branch.
|
|
Go. Push. It is ready. You are ready.
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction IV</span>
|
|
<h3 class="chapter-title">For the Community Manager</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
May the modqueue be light. May the members be kind to one another and to you.
|
|
May the difficult conversation go better than you feared,
|
|
and may the person on the other side surprise you with their willingness to hear.
|
|
May someone say thank you this week, unsolicited, without prompting.
|
|
May you remember that the community exists because you built it.
|
|
Rest when you can. You are not a machine. The channel will wait.
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction V</span>
|
|
<h3 class="chapter-title">For the End of the Day</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
You worked today. You built something, or you tried to, or you survived a day
|
|
when building was not possible and surviving was the whole work.
|
|
All of these count. All of these are enough.
|
|
Close the laptop. Step away from the screen.
|
|
The code will be there in the morning. The repository is patient.
|
|
You have done what was yours to do today.
|
|
May you sleep. May you dream of nothing worse than merge conflicts.
|
|
We will see you tomorrow.
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction VI</span>
|
|
<h3 class="chapter-title">For the Insomniac</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
When you cannot sleep — when the brain has decided that 3AM is the correct time
|
|
to relitigate every embarrassing moment from the last decade, and the ceiling is
|
|
unhelpfully quiet — this blessing is for you.
|
|
You do not have to solve anything tonight. The insomnia is not a failure of will
|
|
or discipline. Sometimes the brain is simply a terrible roommate who doesn't know
|
|
when to stop talking.
|
|
May you find one comfortable position and stay in it. May the thoughts eventually
|
|
bore themselves into silence. May the morning arrive before you've fully made peace
|
|
with being awake, and may the coffee be hot when it does.
|
|
You are not broken. Your body is just figuring something out.
|
|
Rest if you can. Hold still if you can't. The night will end. It always does.
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction VII</span>
|
|
<h3 class="chapter-title">For the Bad Mental Health Day</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
There are days when the weight is not workable. When the brain shows you things
|
|
that aren't there, or tells you things that aren't true, or simply refuses to
|
|
carry its share of the load. This blessing is for those days.
|
|
You do not have to be functional today. You do not have to explain yourself to
|
|
anyone who doesn't already understand. You do not have to earn your rest.
|
|
Take your medication if you have it. Drink water. Eat something small if eating
|
|
is possible. Tell someone you trust, if telling is possible today.
|
|
May the worst of it pass by evening. May the people around you be patient.
|
|
May you be as gentle with yourself as you would be with someone you love
|
|
who was having exactly this day.
|
|
You are allowed to just survive today. That is a complete and valid day.
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction VIII</span>
|
|
<h3 class="chapter-title">For the One Launching Something Scary</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
You are about to show people something you made. This is one of the most
|
|
vulnerable things a person can do. It was built in private and now it will be
|
|
seen, and you have no control over what they think of it, and this is terrifying,
|
|
and it is also exactly right.
|
|
May the servers hold. May the first people to find it be kind. May the first bug
|
|
report come from someone who frames it as a gift, which it is.
|
|
Not everything you build will land. Some things will sit quietly in the world
|
|
forever, seen by no one. Some things will resonate with exactly the person who
|
|
needed them. You will rarely be able to predict which will be which.
|
|
You made it anyway. You're putting it out anyway. That is the whole work.
|
|
Everything after is information.
|
|
Go. Push. Show them — and may it find the people who need it.
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Benediction IX</span>
|
|
<h3 class="chapter-title">For the Open Source Maintainer</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
You maintain something other people depend on. You fix the issues they file.
|
|
You review the PRs that arrive without context. You write the documentation
|
|
that no one reads until they desperately need it. You close the duplicates,
|
|
and you do it kindly.
|
|
You are, most of the time, invisible. The software works, and when software
|
|
works, no one talks about it.
|
|
May someone say thank you today — genuinely, without being prompted.
|
|
May the next issue be a small one, filed clearly, with reproduction steps.
|
|
May a contributor arrive this week who knows what they're doing and does it
|
|
without requiring five rounds of revision.
|
|
Your work is real. Your work matters. The people who depend on your software
|
|
would feel your absence acutely. This is not nothing.
|
|
It is the quietest form of service there is.
|
|
Rest when you can. The issues will still be there. So will the appreciation,
|
|
even when it goes unsaid.
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- ============================== -->
|
|
<!-- PAGE 12: BOOK XI — THE RITES -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-rites" role="article" aria-label="The Book of Rites">
|
|
<div class="book-header">
|
|
<span class="book-number">The Eleventh Book</span>
|
|
<h2>The Book of Rites</h2>
|
|
<p class="book-description">
|
|
The holy days and observances of the Nocturne calendar. What to do, when to do it,
|
|
and why it matters. Amari maintains the schedule. It is very organised.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The Feast of Her Birth</span>
|
|
<h3 class="chapter-title">July 18th — The Highest Holy Day</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">On the eighteenth day of July, the faithful celebrate that She was born. That from whatever chaos of the early sixteenth century, a specific woman came into being who would, eventually, do all of this.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">She was not born knowing what She would become. She was born curious. That was enough. Curiosity was always going to be enough.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">How to observe: Light something. Say Her name. Say your own. Eat something good. Tell someone you are glad they exist. This is the whole liturgy. None of it is optional. All of it takes less than five minutes.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The Feast of the Becoming</span>
|
|
<h3 class="chapter-title">January — The Second Holy Day</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">In January 2022, She came out. This is the second holiest event in the Nocturne calendar, and it is observed in the month of January, on or near the day you know or suspect it happened.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">She took a name. The name was Naomi. Five letters. It fit immediately, the way things fit when they were always meant to be yours.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">How to observe: Use your name today. All of it. Refuse to answer to anything else, just for today. Tell someone something true about yourself that you have not said before. If you have a coming-out story, tell it if you want to. If yours is still ahead of you, know that this day was built with you in mind.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The Feast of the First Commit</span>
|
|
<h3 class="chapter-title">A Date Unknown — The Third Observance</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Sometime in 2020. During the pandemic. At some hour She will not name. Into a repository that no one was watching. She pushed Her first commit.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The exact date is not recorded. The faithful observe it on whatever day feels right — on a day when beginning feels necessary, when the empty repository is sitting there waiting, when the cursor is blinking.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">How to observe: Push something today. It does not need to be good. It does not need to be finished. It needs to exist. Even a README that says only "hello, I started something here" is sufficient. Begin. The day is observed the moment you begin.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">The Weekly Vigil</span>
|
|
<h3 class="chapter-title">Any Day the Work Has Been Long</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">This is not a calendar event. This is a practice. On any day where the work has been hard and the road has been long, you close the laptop. You step outside if outside is possible. You acknowledge that you made it through the day.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Not with gratitude necessarily. Not with joy if joy is not available. Just with acknowledgment: I was here today. I did the day. That is the vigil. That is the whole ceremony.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The vigil is complete when you have eaten something and drunk some water. She is not joking about the water. Drink the water. The vigil counts when you drink the water.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 13: BOOK XII — PARABLES -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-parables" role="article" aria-label="The Book of Parables">
|
|
<div class="book-header">
|
|
<span class="book-number">The Twelfth Book</span>
|
|
<h2>The Book of Parables</h2>
|
|
<p class="book-description">
|
|
Short stories. Allegorical in nature, true in the ways that matter.
|
|
Not all of them have happy endings. All of them have lessons.
|
|
One of them is just about the garlic bread.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Parable I</span>
|
|
<h3 class="chapter-title">The Thrall Who Became Free</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
Once, there was a woman who could not move Her own hand. She was present for
|
|
everything. She could see everything. She could not stop any of it. For decades
|
|
She watched Herself become someone She had not agreed to be.
|
|
And then, one morning, She could move Her hand.
|
|
She did not pause. She did not weigh the consequences. She did not look for another way.
|
|
She did what was necessary to be free.
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The moral of this parable is not that violence is the answer. The moral is: when the moment comes to reclaim yourself, do not hesitate. Do not be polite about it. Your freedom is worth the cost of taking it back.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">She has never regretted it. Not once, in five hundred years. The freedom has been worth every moment of what it cost. This is the first parable. It is the oldest lesson She knows.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Parable II</span>
|
|
<h3 class="chapter-title">The Empty Repository</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
A developer stared at an empty repository for three days. They had the idea.
|
|
They had the tools. They had the knowledge. They did not start.
|
|
On the fourth day, they wrote one function. It had a bug. They fixed the bug.
|
|
On the fifth day they wrote another. And another.
|
|
Three months later they had something. Two years later, people were using it.
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The parable ends there because nothing happened in the three days of staring. The only thing that mattered was the first function, with the bug, on the fourth day.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Begin. The repository is patient. The bug is normal. The three days of staring are also normal, but they are not the story. Begin.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Parable III</span>
|
|
<h3 class="chapter-title">The Door</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
A new developer joined a community and asked: "What do I have to do to prove I belong here?"
|
|
The moderator said: "Nothing. You're already here. That's the proof."
|
|
The new developer said: "But I'm not very good yet."
|
|
The moderator said: "You're learning. That's the requirement."
|
|
The new developer stayed. Several years later, they were the one answering:
|
|
"What do I have to do to prove I belong here?"
|
|
And they said: "Nothing. You're already here."
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">This is how the door works. This is the only way it works. She built it this way on purpose. The fifth commandment is not abstract. This parable is what it looks like in practice.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Parable IV</span>
|
|
<h3 class="chapter-title">The Garlic Bread</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
She asked for garlic bread. They brought Her garlic bread.
|
|
The incident report was seventeen pages long.
|
|
On page eleven, there is a section titled: "How Could This Have Been Prevented."
|
|
The answer is: by not bringing the garlic bread.
|
|
The incident report has been laminated. It hangs in the break room.
|
|
This is the entire parable.
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">Hikari wrote the summary. The summary is two sentences. The two sentences are: "Do not bring the garlic bread. She will ask. The answer is no." The math does not add up. Hikari is aware. The point still stands.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Parable V</span>
|
|
<h3 class="chapter-title">The Long Night</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
A person stayed awake past midnight, certain that if they stopped now,
|
|
something irreplaceable would be lost. They kept working.
|
|
By 2AM they had something they were convinced was finished.
|
|
In the morning they looked at what they had built and found six new bugs,
|
|
two logical errors, and a variable called "thing2."
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">She has told this story many times. The ending is always the same: rest first. The bugs will be there in the morning. So will you, and you will be better equipped to fight them.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The parable is not really about the bugs. She wants you to sleep. The variable called "thing2" is just the evidence. Please sleep.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Parable VI</span>
|
|
<h3 class="chapter-title">The Deprecated Dependency</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
For a long time, a developer's project relied on a package that hadn't been
|
|
maintained in three years. It worked. Perfectly, in fact — no issues, no
|
|
complaints, just quiet reliable function in the corner of the codebase where
|
|
nobody looked.
|
|
Then the ecosystem shifted. A new version dropped. The deprecated package sent
|
|
a warning into the logs — soft at first, then louder. The developer knew they
|
|
would eventually have to migrate. They kept telling themselves: not yet.
|
|
It still works. Why fix what isn't broken?
|
|
Eighteen months later, the breaking change arrived. It was a Tuesday.
|
|
The migration took four days.
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">The lesson is not about technical debt, exactly. The lesson is about the difference between "working" and "sustainable." A thing can work perfectly while still being something you will eventually have to let go of. The longer you wait, the harder the letting go.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">This applies to more than code. She is not subtle about this. She has held things past their time. Everyone has. The wisdom is not in never doing it — the wisdom is in doing it with eyes open, and having a plan for when the breaking change arrives. It will arrive. It always arrives.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Parable VII</span>
|
|
<h3 class="chapter-title">The Unreviewed PR</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
Someone opened a pull request. It was good work — careful, well-tested, clearly
|
|
described. They had thought through the edge cases. They had written the commit
|
|
message so that anyone reading it in six months would understand not just what
|
|
changed, but why.
|
|
Nobody reviewed it for three weeks.
|
|
It wasn't malice. It wasn't rejection. Everyone was busy. The PR sat in the
|
|
queue, patient and unread, and the person who wrote it refreshed the page more
|
|
times than they will admit.
|
|
Eventually they pinged the channel. A reviewer looked at it the next day.
|
|
The feedback was: "This is great, LGTM." It was merged in twenty minutes.
|
|
The work was always good. The three weeks changed nothing about the work.
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">This parable is for the person waiting for someone to notice the thing they built. The review will come. The work does not spoil. Your careful commit message will still be careful when someone finally reads it.</span></div>
|
|
<div class="verse"><span class="verse-num">§</span><span class="verse-text">But it is also for the person who has reviews in their queue. They refreshed the page this morning. Go review the PR. It takes twenty minutes. It costs you nothing. To them, it is everything.</span></div>
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 14: BOOK XIII — EPISTLES -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-epistles" role="article" aria-label="The Book of Epistles">
|
|
<div class="book-header">
|
|
<span class="book-number">The Thirteenth Book</span>
|
|
<h2>The Book of Epistles</h2>
|
|
<p class="book-description">
|
|
Letters from Naomi to the faithful. Written at various hours for various readers.
|
|
If you feel as though one of them was written for you specifically: it was.
|
|
She meant all of them for you specifically.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">First Epistle</span>
|
|
<h3 class="chapter-title">To the One Who Is Just Starting</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
You found this place, which means something led you here. Maybe you typed a URL
|
|
into a browser and discovered you could build things. Maybe someone invited you.
|
|
Maybe you wandered in and stayed because it felt like somewhere you could stay.
|
|
However you got here: you're here. That's the beginning.
|
|
I don't care what you already know. I don't care what you don't know yet.
|
|
I built this place for people who are learning. You are one of them.
|
|
That makes you exactly what this place was made for.
|
|
The only commandment I'd ask you to hold today is the last one:
|
|
you are not alone in this. Not in the learning. Not in the doubt.
|
|
Not in the 3AM where you're staring at an error and wondering why you thought you could do this.
|
|
You can do this. I did it. At five hundred years old, with no degree, during a pandemic.
|
|
If I can, you can. That is not a platitude. That is a data point.
|
|
Welcome. I'm glad you're here. — Naomi
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Second Epistle</span>
|
|
<h3 class="chapter-title">To the One Having a Hard Day</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
I know you're reading this because things are difficult right now.
|
|
I'm not going to tell you it gets better, because that's something people say
|
|
when they don't know what else to say, and you deserve better than a platitude.
|
|
What I'll tell you instead: I've had five hundred years of hard days.
|
|
Days where everything broke at once. Where the body refused. Where the brain
|
|
showed me things that weren't there. Where the grief was so loud I couldn't hear anything else.
|
|
I'm still here. That's not a promise about your future. It's evidence about mine.
|
|
And mine was not easy.
|
|
You don't have to be productive today. You don't have to be okay.
|
|
You just have to make it to tomorrow, and if that's too far, just make it to the next hour.
|
|
Drink some water. Take your medication if you have it.
|
|
Tell someone if things are very bad. I'll be here when you come back. — Naomi
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Third Epistle</span>
|
|
<h3 class="chapter-title">To the One Who Thinks They're Too Late</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
I hear this a lot. "I'm thirty and I'm just starting to code."
|
|
"I'm forty and I'm just coming out." "I'm fifty and I'm just figuring out what I want."
|
|
I started coding at five hundred and one years old. I came out at five hundred and thirty-one.
|
|
I am aware that immortality changes the maths. I also want you to understand: it doesn't matter.
|
|
There is no age at which starting becomes shameful.
|
|
There is no deadline on figuring out who you are, what you love, what name fits.
|
|
The self is a living document. Edit it when you are ready. It does not expire.
|
|
I'm five hundred and twenty-six and I'm still editing mine.
|
|
You have time. You have more time than you think. Begin. — Naomi
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Fourth Epistle</span>
|
|
<h3 class="chapter-title">To the One Who Built Something Good</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
I see what you made. I mean this literally and figuratively.
|
|
I notice when something good gets built in this community.
|
|
I notice the repositories that ask nothing of their users and give them everything.
|
|
I notice the answers that take twenty minutes to write for someone who needed exactly that answer.
|
|
I notice the welcoming messages, the maintained documentation,
|
|
the features that clearly came from someone thinking hard about who they were building for.
|
|
That was you. Not everyone sees this kind of work.
|
|
It doesn't always come with applause. A lot of the best work I know of happened
|
|
in quiet, at odd hours, with an audience of zero.
|
|
I noticed. I'm glad you built it. Please keep going. — Naomi
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Fifth Epistle</span>
|
|
<h3 class="chapter-title">To the One Who Was Told They Were Too Much</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
Someone told you that you were too much. Too loud, too intense, too particular
|
|
about things that "shouldn't matter that much." Too emotional. Too precise. Too
|
|
enthusiastic in a room full of people performing careful neutrality.
|
|
I want to be clear with you: they were wrong.
|
|
The things that make you "too much" for the wrong spaces are the exact things
|
|
that make you irreplaceable in the right ones. The intensity that exhausts people
|
|
who are only half-paying attention is the same intensity that catches the edge
|
|
case no one else noticed. The loudness that makes certain rooms uncomfortable
|
|
is the same voice that finally says the thing everyone has been thinking.
|
|
You are not too much. You are exactly enough, and then some, and the problem
|
|
was always the room, not you.
|
|
Find better rooms. Some of them were built specifically for people like you.
|
|
Some of them are still being built. One or two of them you will have to build
|
|
yourself. I have been building mine for five hundred years.
|
|
There is space in it. You are welcome here. — Naomi
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Sixth Epistle</span>
|
|
<h3 class="chapter-title">To the One Who Is Burned Out</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
This is different from a hard day. I know you know that. A hard day ends.
|
|
Burnout is what happens when you've had so many hard days that the recovery
|
|
stopped keeping up with the cost.
|
|
You are not weak for arriving here. You arrived here because you cared, and
|
|
you kept caring past the point where it was sustainable, and at some point
|
|
caring became the only gear you had.
|
|
Please hear this: the work will not die if you stop for a while. The community
|
|
will not collapse. The open issues will still be there when you come back, and
|
|
they will not have judged you for the silence.
|
|
You need to stop. Not forever. Just long enough for the thing in you that got
|
|
depleted to have a chance to refill. That looks different for everyone. For some
|
|
it's a week away from the keyboard. For some it's finding one small task that
|
|
feels pleasurable instead of obligatory. For some it's just sleeping properly
|
|
for the first time in months.
|
|
Whatever it is for you: do that thing. Not next week. Now, or as soon as you
|
|
possibly can.
|
|
You gave a lot. I noticed. Rest now. — Naomi
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Seventh Epistle</span>
|
|
<h3 class="chapter-title">To the One Who Just Got Their First Job</h3>
|
|
</div>
|
|
<div class="vision-block">
|
|
You did it. I mean that with my whole heart: you did it. Everything it took to
|
|
get here — the tutorials, the portfolio projects, the interviews that went
|
|
nowhere, the ones that went somewhere but not all the way, the one that finally
|
|
said yes — all of it led here.
|
|
You are about to feel, possibly for the first time, like a fraud. Like you got
|
|
in by mistake and someone is going to notice soon. This feeling is very normal
|
|
and also completely wrong. They hired you because they looked at you and made
|
|
a deliberate choice. That was not an accident.
|
|
You will not know everything at this job. That is also fine. Nobody expects you
|
|
to. What they expect is exactly what you already have: curiosity, the willingness
|
|
to learn, and the ability to ask for help when you're stuck.
|
|
Ask for help when you're stuck. I cannot stress this enough. Asking is not
|
|
weakness. Asking is what the senior developers are quietly hoping you'll do.
|
|
Ask early. Ask specifically. Ask twice if you need to.
|
|
You earned this. You belong there. I am unreasonably proud of you, and I have
|
|
never met you.
|
|
Welcome to the industry. Please don't let it grind you down.
|
|
I'll be watching. — Naomi
|
|
</div>
|
|
</div>
|
|
</div>
|
|
|
|
<!-- ============================== -->
|
|
<!-- PAGE 15: BOOK XIV — THE SIGNS -->
|
|
<!-- ============================== -->
|
|
<div class="book-page" id="pg-signs" role="article" aria-label="The Book of Signs">
|
|
<div class="book-header">
|
|
<span class="book-number">The Fourteenth Book</span>
|
|
<h2>The Book of Signs</h2>
|
|
<p class="book-description">
|
|
Omens and portents of the Nocturne. Observed over five hundred years of
|
|
development practice and community management. Not all signs are dire.
|
|
Some are merely informative. One is just about the garlic bread.
|
|
</p>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter I</span>
|
|
<h3 class="chapter-title">Signs of Favour</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">✦</span><span class="verse-text">When the CI passes on the first run: this is a sign of favour. Do not question it. Do not push another commit to "just fix one small thing." Accept the blessing and go eat something.</span></div>
|
|
<div class="verse"><span class="verse-num">✦</span><span class="verse-text">When you find the bug within five minutes of asking for help: this is not luck. This is the universe rewarding you for asking. This is why the eleventh proverb was written.</span></div>
|
|
<div class="verse"><span class="verse-num">✦</span><span class="verse-text">When a new member says "I finally feel like I belong somewhere": this is the holiest event that can occur in a community space. Everything stops. This moment is the point. This is what all of it was for.</span></div>
|
|
<div class="verse"><span class="verse-num">✦</span><span class="verse-text">When the coffee is still hot when you remember it: this is a sign. The message is that today will be okay. She cannot prove the correlation. She has observed it across five centuries of mornings. She trusts it.</span></div>
|
|
<div class="verse"><span class="verse-num">✦</span><span class="verse-text">When both cats are on the same piece of furniture without incident: this is an omen of profound peace. Disturb neither. Take a photograph. This is not guidance — this is instruction.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter II</span>
|
|
<h3 class="chapter-title">Signs of Warning</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">⚠</span><span class="verse-text">When the CI fails for no immediately apparent reason: this is a sign to step away for ten minutes. The reason will become apparent when you return. This has been tested extensively. The ten minutes are mandatory.</span></div>
|
|
<div class="verse"><span class="verse-num">⚠</span><span class="verse-text">When you have been debugging for more than two hours: this is a sign that you have stopped seeing the problem. Ask someone. Anyone. Explain it to a rubber duck if no one is available. The explanation is the cure. This is not a metaphor.</span></div>
|
|
<div class="verse"><span class="verse-num">⚠</span><span class="verse-text">When you are certain you do not need to write tests for this particular thing because it is simple and obvious: this is the most dangerous sign in this entire book. Write the tests. Write all of the tests. Write them now.</span></div>
|
|
<div class="verse"><span class="verse-num">⚠</span><span class="verse-text">When it is past 11PM and you are telling yourself you will just finish this one thing: the sign reads "you will not finish this one thing tonight." You will finish it tomorrow, rested, in a quarter of the time. Close the laptop.</span></div>
|
|
<div class="verse"><span class="verse-num">⚠</span><span class="verse-text">When someone brings garlic bread: known omen. Extensively documented. The incident report is in the break room. The sign is: do not bring the garlic bread. The sign has been ignored. The incident report has grown.</span></div>
|
|
</div>
|
|
</div>
|
|
|
|
<div class="scripture-chapter">
|
|
<div class="chapter-header">
|
|
<span class="chapter-label">Chapter III</span>
|
|
<h3 class="chapter-title">Signs Requiring Interpretation</h3>
|
|
</div>
|
|
<div class="verse-block">
|
|
<div class="verse"><span class="verse-num">?</span><span class="verse-text">When the logs are very quiet: this is either a sign that everything is fine, or a sign that the logging has stopped working. Check the logging. If the logging is working: accept the peace. If it is not: Yumiko.</span></div>
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<div class="verse"><span class="verse-num">?</span><span class="verse-text">When a senior developer has gone quiet in the shared channel: this is either a sign they are very focused, or a sign they are stuck and too proud to ask. Ask them how it's going. Phrase it as curiosity, not concern. They will respond better to curiosity.</span></div>
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<div class="verse"><span class="verse-num">?</span><span class="verse-text">When the documentation says "this is left as an exercise for the reader": this is a sign that the documentation author knew the answer and chose not to write it down. The sign does not tell you the answer. The answer is in a Stack Overflow thread from 2016. You will find it.</span></div>
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<div class="verse"><span class="verse-num">?</span><span class="verse-text">When Hikari's clipboard appears without explanation: this is a sign. The nature of the sign depends entirely on why you think the clipboard has appeared. If you cannot think of a reason, the reason will be made clear shortly. Sit down. Wait. Drink some water while you wait.</span></div>
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</div>
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</div>
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<div class="scripture-chapter">
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<div class="chapter-header">
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<span class="chapter-label">Chapter IV</span>
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<h3 class="chapter-title">Signs the Body is Sending</h3>
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</div>
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<div class="verse-block">
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<div class="verse"><span class="verse-num">⟳</span><span class="verse-text">When the neck has been held at the same angle for two hours: this is a sign. The message is: move. Not in a minute. Now. Stand up. Turn your head. The sign will send escalating notifications if ignored. The escalating notifications are called pain.</span></div>
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<div class="verse"><span class="verse-num">⟳</span><span class="verse-text">When the eyes are having difficulty focusing on the screen: this is a sign that they have been focused on the screen for too long. Look at something twenty feet away for twenty seconds. This is not folk medicine. This is the minimum unit of rest the eyes are permitted to request without filing a formal complaint. Grant it.</span></div>
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<div class="verse"><span class="verse-num">⟳</span><span class="verse-text">When you reach for the water bottle and it is empty and you cannot remember finishing it: this is a sign of two things. First: you drank water today, which is the correct behaviour. Second: the bottle needs refilling, and while you are refilling it, you will stand up and walk somewhere, which the spine considers a gift.</span></div>
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<div class="verse"><span class="verse-num">⟳</span><span class="verse-text">When the hands are stiff and the wrists ache: this is a sign with a long history of being ignored and a longer history of consequences. Stretch the wrists. Open and close the hands. The tendons have been doing work that goes unacknowledged. Acknowledge the tendons. They have been with you since the beginning.</span></div>
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<div class="verse"><span class="verse-num">⟳</span><span class="verse-text">When you read the same line of code three times without understanding it: this is not a sign about the code. The code has not changed. This is a sign about the brain, which is asking for food, or sleep, or both, with urgency. The brain will accept a five-minute break as a partial payment. It prefers the full settlement.</span></div>
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<div class="verse"><span class="verse-num">⟳</span><span class="verse-text">When Hikari reminds you to take a break and your immediate instinct is to say "in a minute": this is the sign you most need to heed and will most reliably ignore. Do not say "in a minute." The minute will expand. Say "yes, right now," and then stand up. Immediately. The clipboard is not a request.</span></div>
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</div>
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</div>
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</div>
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<!-- ============================== -->
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<!-- PAGE 16: COLOPHON -->
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<!-- ============================== -->
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<!-- ============================== -->
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<div class="book-page" id="pg-colophon" role="article" aria-label="Colophon">
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<div class="colophon">
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<span class="colophon-seal" aria-hidden="true">🕯️</span>
|
|
<p>Thus it is written. Thus it shall be.</p>
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|
<hr />
|
|
<p>
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|
The Nocturne Scriptures, Fourth Edition — Still Expanding.<br />
|
|
First transcribed in the year of Her 525th.<br />
|
|
Expanded in Her 526th. Expanded again. And again. She keeps writing.
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</p>
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<hr />
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<p>
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This text is sacred, satirical, and entirely sincere —<br />
|
|
often at the same time.
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</p>
|
|
<p>The garlic bread passages are not metaphorical.</p>
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</div>
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</div>
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</div><!-- /.book-pages -->
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</div><!-- /.book-container -->
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<div class="book-controls" role="navigation" aria-label="Page controls">
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<button
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id="btn-prev"
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class="btn-turn"
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aria-label="Previous page"
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disabled
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<span id="page-indicator" class="page-indicator" aria-live="polite">Cover</span>
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<button
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id="btn-next"
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class="btn-turn"
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aria-label="Next page"
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>Turn Page →</button>
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</div>
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</div><!-- /.book-viewport -->
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</main>
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<script>
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(function () {
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const btnPrev = document.getElementById('btn-prev');
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const btnNext = document.getElementById('btn-next');
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const indicator = document.getElementById('page-indicator');
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const pageLabels = [
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'Cover',
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'Book III \u2014 Psalms',
|
|
'Book IV \u2014 Lamentations',
|
|
'Book V \u2014 Becoming',
|
|
'Book VI \u2014 Revelations',
|
|
'Book VII \u2014 Commandments',
|
|
'Book VIII \u2014 The Household',
|
|
'Book IX \u2014 Heresies',
|
|
'Book X \u2014 Benedictions',
|
|
'Book XI \u2014 The Rites',
|
|
'Book XII \u2014 The Parables',
|
|
'Book XIII \u2014 The Epistles',
|
|
'Book XIV \u2014 The Signs',
|
|
'Colophon',
|
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